cross-posted from: kbin.social/m/movies/t/664183
The mixed response to Emerald Fennell’s 00s-set thriller evinces a movie-going conundrum: how do we assess entertainment that is predominantly indexed on vibes? By now, the buzz around Saltburn, Emerald Fennell’s sweaty, lascivious sophomore feature about a middle-class interloper in a vacuously rich family, has begun to settle into two camps. On one side, viewers and the plurality of critics who find the film, which had one of the most successful limited releases this year in the US before expanding nationwide last weekend, to be a flashy, self-satisfied mess of empty provocations. And on the other, those who see Fennell’s remix of Brideshead Revisited and the The Talented Mr Ripley with a dash of mid-aughts Abercrombie & Fitch as a successfully absorbing erotic thriller with titillating shocks. Depraved, but in a fun way, to summarize the predominant sentiment on TikTok.
Everyone agrees that Saltburn, for the most part, looks good – lush, attractive, expensive. (It helps that it stars the Euphoria actor and ascendant screen heartthrob Jacob Elordi.) But are its squirm-inducing visuals – a character slurping another’s cummy bathwater, a literally cocky ending – the mark of perverse genius, or cheap, hollow tricks masquerading as it?..
PP_BOY_@lemmy.world 11 months ago
Given the fact that I’ve never heard of it till now, I’m gonna go with “no.” Would unironically say that Barbie was the most devisive film of the year.
scytale@lemm.ee 11 months ago
Barbie was divisive? Wasn’t it universally acclaimed?
Taako_Tuesday@lemmy.ca 11 months ago
Most of the criticism of the movie is political, and most of it from people like Ben Shapiro.
LegionEris@feddit.nl 11 months ago
No. o_o Some people were, maybe still are, very upset about Barbie.