50 years ago, 'Blazing Saddles' broke wind — and box office expectations

Comments

• Infynis@midwest.social ⁨8⁩ ⁨months⁩ ago

  And even more topical now, as it seems like the “common clay” has been spreading.

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  • lookorex@lemmy.world ⁨8⁩ ⁨months⁩ ago

    You know… Morons

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• watson387@sopuli.xyz ⁨8⁩ ⁨months⁩ ago

  GREAT movie. I still laugh every time I watch it.

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  • Crewman@sopuli.xyz ⁨8⁩ ⁨months⁩ ago

    The humor holds up surpriningly well for a 50 year old movie.

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    • Delphia@lemmy.world ⁨8⁩ ⁨months⁩ ago

      We were talking about this movie this week and someone said “You couldnt make that movie now!” but theres no reason to. The only joke I can rhink of thats too dated is Hedley/Heddey

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• Nusm@yall.theatl.social ⁨8⁩ ⁨months⁩ ago

  Good mornin’ ma’am, and isn’t it a loooovely mornin’?

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  • Delphia@lemmy.world ⁨8⁩ ⁨months⁩ ago

    has aneurysm not completing quote

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• fireweed@lemmy.world ⁨8⁩ ⁨months⁩ ago

  FYI: it’s on Netflix right now, and it has aged shockingly well. Go give it a watch (or re-watch)!

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• theodewere@kbin.social ⁨8⁩ ⁨months⁩ ago

  Mel Brooks wrote, directed and starred in the #1 AND the #4 pictures at the box office that year.. Saddles was #1 and Young Frankenstein was #4..

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  • kindenough@kbin.social ⁨8⁩ ⁨months⁩ ago

    And he is still alive and will be a 100 years old in 2 years.

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  • carbrewr84@kbin.social ⁨8⁩ ⁨months⁩ ago

    I still crack up at "Abby Normal" every time.

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    • theodewere@kbin.social ⁨8⁩ ⁨months⁩ ago

      same here but the scene that kills me is the train platform where they're saying goodbye

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• Deceptichum@kbin.social ⁨8⁩ ⁨months⁩ ago

  As someone who wasn’t alive during its release, it really doesn’t hold up well.

  Probably the most boring comedy I’ve seen in my life. Like the most memorable scenes are fart jokes and saying people are stupid? Maybe this was revolutionary at the time but I’d rather watch the Producers, History of the World, or Space Balls any day.

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  • Drusas@kbin.social ⁨8⁩ ⁨months⁩ ago

    Black comedy really doesn't seem popular with the younger generations. It's a shame, really. But humor/expression styles change over time, so so it goes.

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    • Deceptichum@kbin.social ⁨8⁩ ⁨months⁩ ago

      Black comedy is fine, Blazing Saddles is just boring at best and juvenile in the lamest way at worst.

      Take Dr Stangelove for an example of a well done black comedy film with amazingly witty dialogue.

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• yessikg@lemmy.blahaj.zone ⁨8⁩ ⁨months⁩ ago

  And destroyed westerns ❤️

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• autotldr@lemmings.world [bot] ⁨8⁩ ⁨months⁩ ago

  This is the best summary I could come up with:

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  Fifty years ago, Mel Brooks released Blazing Saddles to gales of laughter and a mighty roar of flatulence jokes.

  But in 1974, he was significantly less well-known, having made a couple of mildly successful comedies (The Twelve Chairs and The Producers) and worked in Sid Caesar’s joke-writer stable for TV.

  But his co-screenwriter Richard Pryor insisted he use it — and use it often — consciously putting it the mouths of evil or unthinking characters, so that star Cleavon Little could comically mock or demolish them.

  Until, that is, it turns into a spoof of The Blue Angel, as Madeline Kahn’s seductress-for-hire Lili Von Shtupp croons a gloriously off-pitch “I’m Tired” and sets about seducing Sheriff Bart.

  Even Busby Berkeley musicals come in for a brief ribbing when a brawl literally breaks the fourth wall and the cast crashes into a dance number on a nearby soundstage.

  So on Feb. 7, 1974, the studio opened the film as a test in three cities — NYC, LA, Chicago — considered the most likely to get Brooks’ Borscht Belt sense of humor.

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  The original article contains 828 words, the summary contains 180 words. Saved 78%. I’m a bot and I’m open source!

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• chunkystyles@sopuli.xyz ⁨8⁩ ⁨months⁩ ago

  This is a fantastic video essay on the movie and I promise it’s not what you expect.

  youtu.be/jzMFoNZeZm0

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